How to take good potraits

how to take good potraits

15 Top Tips on How to Master Portrait Photography

Dec 05,  · 10 Ways to Take Stunning Portraits 1. Alter your perspective. Most portraits are taken with the camera at (or around) the eye level of the subject. While 2. Play with eye contact. It is amazing how much the direction of your subject’s eyes can impact an image. Most 3. Break the rules of. Jan 01,  · When shooting portraits, it's best to set a wide aperture (around f/f/) to capture a shallow depth of field, so the background behind your subject is nicely blurred, making them stand out.

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Portraits are one of the most powerful kinds of photographs. It just requires a little bit of thought. Portraits are about one thing: the person in them. First, a good portrait draws attention to the subject. This is normally achieved through some combination of a shallow depth of field, composition, color, and lighting.

Second, a good portrait tells you something about the subject. It shows some element of their personality or their life. You should be able to look at a good portrait and know something about them. The best portrait artists can tell a whole story in a single image. Outside how to lay padding for laminate flooring these two things, there is very little rhyme or reason to what makes how to format an android phone good portrait—you have a lot of room to be creative.

The wide aperture gives you a really shallow depth of field which makes it easy to pull attention to the subject, while the focal length is long enough to minimize distortion without being so long that you have to stand 50 metres away to keep the person in frame.

I shot the image below with one. When it comes time to shoot the photo, you want to put your camera in aperture priority mode. A portrait should flatter the subject. You want to reflect the best version of them.

This rule should guide every decision, from the framing of your shot to the removal of acne and blemishes when you edit. No one looks good when shot from a low angle! If you stand so that the subject fills the frame in either of these compositions, your portraits will look good. You want to crop at major joints like the waist, rather than at their fingers. One way to take your portraits to the next level is to use really good lighting. Instead, find somewhere with nice, flat, even lighting.

A great place to shoot a portrait is somewhere shady, like under a tree or in an alley, on a sunny day or in a room lit by a single large window. I used a window for the photos below. Portraits, more than any other kind of photography, require you to how to take good potraits with your subject.

Instead, you need to be constantly chatting to them, making them laugh, and getting them to just act like themselves. For every good portrait I take, I get about 50 shots where the model is laughing, smiling, talking, sticking her tongue out at me, or making ridiculous expressions. The best portraits happen at the in-between moments. When the model poses, you say something, and their pose cracks into a smile. I love shooting portraits. To shoot a great landscape you need lots of gear, an amazing location, and patience.

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Taking Perfect Portraits

Jun 13,  · How to Take Good Pictures – 10 Foolproof Steps 1. Practice Practice Practice!. Rome wasn’t built in a day; if you want to get good at anything in life, you have to 2. Use the Histogram. LCD displays on digital cameras are getting better these days but are still subject to the 3. Get Your White Author: Josh Dunlop.

People love to see flattering photos of themselves, but not every photographer has the skill set to capture a striking portrait. These 12 tips cover everything from lighting to lenses, so everyone who steps in front of your camera will end up looking their best. When photographing portraits inside, try shooting near a large window. The diffused natural light will minimize harsh shadows and will create a more flattering image as long as the sun isn't shining directly in the window.

Ask your subject to turn toward the light, so their face isn't in shadow. Also remember to turn off any indoor lights, which can give your image a yellow cast. Direct, midday sun is notoriously unflattering. Not only will your subject be prone to squinting, but the harsh light will cast deep shadows into their eyes and across the lower part of their face as seen in the photo on the right.

The best time for outdoor portraits is on a cloudy day or when the sun is low in the sky. If you need to shoot on a sunny day, be sure to move into the shade.

If you're stuck under the sun and unable to find shade, a diffuser is a great way to soften the light. Diffusers are made of translucent material and come in many shapes and sizes, but we recommend collapsible oval diffusers because they are easier to set up and more portable.

In the image on the left, the photographer had an assistant hold the diffuser at an angle above the subject's head. If you don't have an assistant, try attaching the diffuser to a light stand. You can also make your own diffuser by using a white sheet or some other diaphanous material. When shooting portraits, it's good practice to use a low f-stop.

This will help blur the background and make your subject pop. Many DSLR and mirrorless cameras let you manually adjust the f-stop. You can acheive a similar effect using Portrait mode on the iPhone 7 Plus , which uses two lenses to create a blurred background.

Or, try downloading a third-party camera app that will let you adjust the f-stop. Wide-angle lenses can distort your subject and make them look strange or overweight, if they're near the edge of the frame. Unless you're going for a surreal look, it's best to avoid shooting portraits with lenses wider than 50 millimeters. One exception is when you're shooting from a few yards back, which will help minimize distortion, and want to include the surrounding environment.

Using a reflector is an easy way to lighten the shadows on your subject's face. Like diffusers, they come in a variety of sizes and are made of material that's stretched over a frame.

Best of all, reflectors are cheap and easy to carry because they fold up into a disk. If you don't want to purchase a reflector, you can get similar results using a whiteboard or aluminum foil. In the photo on the right, the woman has very soft shadows on her face, even though she's standing in the shade. By having an assistant hold a reflector at an angle below the subject, the photographer allows those shadows to disappear, and the subject's face appears brighter.

Notice how the light from the reflector illuminates the eyes and makes them sparkle. If you're shooting with a low f-stop and your background still looks relatively sharp, your focal length is probably too short.

Ironically, telephoto lenses are ideal for portrait photography because they compress space and intensify the blurred background effect. The longer your focal length, the fuzzier your background will be. Of course, if your subject's environment is an important part of the portrait, a long lens is not the way to go. A built-in flash is one of the worst choices for portrait photography.

As a main light source, a direct flash produces flat and uninteresting images that look amateurish. If you want to use artificial light, invest in a detachable flash that can be fired off-camera. Most DSLRs have an outlet for attaching a sync cord, allowing you to fire the flash from anywhere within the cord's reach. In the image above, the photographer held the flash outstretched in her left hand. Another option is to leave the flash attached to your camera and aim it at the ceiling or a wall, instead of directly at your subject.

This requires a flash with a head that swivels, such as a Nikon or Canon speedlight. When the light bounces off the walls, it becomes softer and more flattering for portrait photography. Placing your subject in a visually interesting environment is a great way to add depth to a portrait, both literally and figuratively. Before you start shooting, think about what surroundings may complement your subject's personality.

A graffiti-covered wall may be a good fit for an urban artist, while a nature scene would work well for an outdoor enthusiast. You should also be aware of any distracting background elements, such as power lines or poles sticking out of your subject's head.

Most people get self-conscious in front of the camera. As the photographer, it's your job to put your subject at ease in order to get the best possible portrait.

Try joking around, play music or offer them a drink to take the edge off. Remember to stay confident and relaxed while taking pictures so you don't pass any nervous energy to your subject. Some of the most compelling portraits are of people in their natural environments, often in the midst of their everyday lives. Instead of staging a photo, try asking random people, like shopkeepers or street performers, to pose for you. You can also arrange to photograph someone while they're at home, at work or doing a favorite activity.

Let's face it: Boring-looking people make boring portrait subjects. If you want to build up your portfolio, try asking photogenic friends and family if they will model for you. If you're into documentary portraiture, keep an eye out for interesting characters you meet on the street or during your travels.

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